The most impressive artistry of the Rasa dances of Gujarat and Saurashtra is displayed in the Dandiya Rasa by men. It is a counterpart of the Garba of the women. The dancers use sticks at the end of which tiny bells (ghungrus) are tied so that they give off a clear jingling sound when they strike one another. This dance has a very complicated rhythm pattern and even though the dancers begin in a slow tempo, the dance develops in such manner that each person in the circle not only performs a solo dance with his own sticks, but also has a complex multiple relationship with both his partners on either side as also partners opposite him in the circles. The circle keeps breaking sometimes into two concentric circles and sometimes into three or four circles within the orbit of a larger circle.

The dancers of each concentric circle then weave patterns with each other and with members of the other circle. There is a great deal of freedom in the movements and sticks are beaten in standing, sitting or lying position. Occasionally, the men weave patterns of an intertwined rope in a circle; they lie on the floor with the two sticks being beaten above their heads and chests; sometimes instead of hands, the feet hold and strike the sticks. The Dandiya Rasa is obviously of ancient origin and of ritual significance. From what one can gather from Sanskrit dramas, it became in course of time a popular, and is mentioned in Rajshekhar's Karpur Manjari.

Each community has its distinctive dance patterns.

The Garba of Gujarat is the most popular women's folk dance of Gujarat. During Navratri, a pot is ceremoniously placed attractive designs are made on the pot and a light is placed inside. Village girls bearing pots (garbis) on their heads go from door to door and dance around the respective house.

The leader of the group sings the first line of the song while the rest repeat it in chorus, the beat being produced clapping hands or striking sticks in unison. At every step they gracefully bend sideways, the arms coming together in beautiful sweeping gestures, up and down, left and right, each movement ending in clap.

The Garba is indeed a ceremony in which everyone can take part irrespective of caste or social position. The dances are accompanied by drums (dholak) and the vocal women. The songs of the Garba are often history and melodious and have been handed down through generations. The origins of the seem to be a tribal dance revolving around a hunt; later it was transformed into an agricultural ritual dedicated to the goddess Ambika. Today it is a social dance at all levels of society. In essence, it continues to be a fertility dance.

There are variations in the garba different regions communities and dancers have involved their own style and steps. In Gujarat, as in Rajasthan, tribal, rural and urban life is interlinked. While the tribes respond to the natural environment, the forest, the sea or the desert, the agricultural community moves around the mother-goddess. She is worshipped as an icon or painted image or painted scroll or as a symbol - an earthen pot (garbi) or a bamboo or wood structure mandavi. The ritual of the Navaratra of the sowing and sprouting of corn for nine days and the climax through a variety of dances links agricultural and urban societies. Today in the cities and town the dance is a social activity and entertainment rather than religious agricultural or fertility symbol.

Ahmedabad is one of the greatest places to enjoy Navratri. All kinds of Rasa-Garbas, Dandia ras etc. are practiced in this period, feasting and fasting are important cultural aspects of this day, and various rituals are performed at temples of the 9 Goddesses of Hinduism. The atmosphere is electric and revelry is in the air. The best places to enjoy the atmosphere of Navratri in Ahmedabad.